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Wes Anderson on Writing

joshruben:

makingofmovies:

stayforthecredits: “I use little notebooks. I write out everything longhand first, then I type it into the computer. Back when Owen and I were working together, he would write in longhand also. Rushmore, Royal Tenenbaums, and The Life Aquatic are all in small notebooks like this…[Anderson presents a pocket-sized notebook, and flips through the pages showing carefully sketched portrait drawings very similar to the chapter headings featured in The Royal Tenenbaums] I create seven of these for each film for some reason.—————-

labarceloneta:There seems to be a pattern emerging since Tarantino professed his love for longhand at the FAQ for Inglourious Basterds. Anyone know other writers/directors who prefer writing longhand? comment!

I read in an article that horror writer/director Eli Roth writes his stuff longhand and that he was looking forward to writing Hostel 2 in notebooks, sitting in Italian cafes.

That’s just because everything is just better when you’re sitting in Italian cafes.

Source: stayforthecredits

  • 2 years ago > stayforthecredits
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    makingofmovies:stayforthecredits:...Not unlike a title character from his latest film,...
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  26. 34cents reblogged this from joshruben and added:
    makingofmovies:stayforthecredits: “I use little notebooks....write out everything
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  30. spytap reblogged this from joshruben and added:
    That’s just because everything is just better when you’re sitting in Italian cafes.
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  32. swagimagination reblogged this from joshruben and added:
    I have to write it longhand, or it just doesnt feel right.
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    an article that horror writer/director Eli Roth writes his stuff...that he was looking...
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    “I use little notebooks. I write out everything longhand first, then I type it into the computer. Back when Owen and I...
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    stayforthecredits: “I use little notebooks. I write out everything longhand first, then I type it into the computer....
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About

I do lots of things. I'm kind of weird that way.

First and foremost, I'm the Director of Content Partnerships at Blip, where you can discover the best in original web series.

Before that, I ran a consulting company focused on entertainment and government entities called Spytap Industries. In a previous life I helped create United Talent Agency's online division - the first major agency division devoted to representing and monetizing online content.

I also contribute to Here's Some Awesome, a collaborative video curation site that showcases the awesome in online video.

From time to time I write essays on topics of interest from politics, to the future of mass media, to the effects that online content and piracy are having on traditional media. They normally go here. (Latest example: "On Bullying")

This is my personal blog, So while it probably doesn't need to be said, all of the opinions here are solely my own or those of the people I reblog.

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