Barrett Garese

It’s all about choice. See, by only providing content through locked down, time limited, location restricted methods, the studios are actually giving us a lot more choices in how we consume our content. Dirty pirates can only consume their content in one way: no encryption, HD, and worldwide. But the studios give us an unending stream of different choices that provide real value to their content. Maybe you want DRM that requires a constant connection to the internet. They have that. Maybe you DRM that limits you to only certain devices. They have that. Maybe you want content that’s purposefully degraded. They have that. Maybe you want to be able to watch content only in the US. They have that. Canada? They have that too. Content that expires after 48 hours? No problem. Maybe you want to have to watch it in the theater? They got you covered. The depth and breadth of choices that the studios provide is something that the evil pirates just cannot cover. The other day I asked someone at the pirate bay for an encrypted copy of The Grey that would only play on my computer for a week and they couldn’t do it!

Comment by an Anonymous Coward at Techdirt: Yet Another (Yes Another!) Study Suggests Hollywood’s Problem Is Dumb Release Windows That Cost It Money (via wilwheaton)

This is a brilliant comment, and worthy of another brilliant comment by someone dominating an industry that’s been far more affected by piracy than either film or television: Gabe Newell of Valve Software:

We think there is a fundamental misconception about piracy. Piracy is almost always a service problem and not a pricing problem. If a pirate offers a product anywhere in the world, 24 x 7, purchasable from the convenience of your personal computer, and the legal provider says the product is region-locked, will come to your country 3 months after the US release, and can only be purchased at a brick and mortar store, then the pirate’s service is more valuable.

(via wilwheaton)

Source: techdirt.com