Barrett Garese

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Quality and big names are no guarantee of a show’s success, or of the success of a backer of that show, for that matter.

Before You Get Excited About Netflix TV, Read This | Mediaworks: Tuning In - Advertising Age

This article has been making the rounds today on Tumblr and Twitter.  Most of the focus has been on the Netflix vs. HBO plot line but the above quote strikes me as as key point.

On the web, specifically in regards to original web shows, authenticity trumps production values.  I’m not saying great equipment, strong editing and lighting and cool post-production don’t make for great web shows, but they are not necessary to be a success.

What is necessary - no, required, is a passionate creator who knows how to find and build their audience.  Make content that is an extension of your passion.  Find people who appreciate your passion.  Watch your show grow.

(via evangotlib)

They’re making a television show for the Web. It’s different…

(via mikehudack)

I was saying the same thing this morning in #webserieschat (so if you were there, feel free to skip my reiteration here.) The distribution mechanism is not the medium. TV streamed on the web is still TV, just as a “made-for-TV” film is still a film and “straight to DVD movie” is still a movie. The creation mechanism is the medium.

Netflix is creating television content because it stacks up well against the other content they already have, the vast majority of which was already created with televised home viewing in mind (both film and TV.)

(via mikehudack)

Source: adage.com

    • #Business
  • 1 year ago > evangotlib
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    ______________ I agree wholeheartedly. We are entering a period where the method and medium you use to consume...
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    Not to mention Netflix already has an audience. Their recommendation engine and viewing data can put House of Cards in...
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About

I do lots of things. I'm kind of weird that way.

First and foremost, I'm the Director of Content Partnerships at Blip, where you can discover the best in original web series.

Before that, I ran a consulting company focused on entertainment and government entities called Spytap Industries. In a previous life I helped create United Talent Agency's online division - the first major agency division devoted to representing and monetizing online content.

I also contribute to Here's Some Awesome, a collaborative video curation site that showcases the awesome in online video.

From time to time I write essays on topics of interest from politics, to the future of mass media, to the effects that online content and piracy are having on traditional media. They normally go here. (Latest example: "On Bullying")

This is my personal blog, So while it probably doesn't need to be said, all of the opinions here are solely my own or those of the people I reblog.

Email me: Spytap at spytap dot net

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